The current production of Mozart’s Così fan tutte at the English National Opera is not one to miss. A combination of a bright fairground spectacle, quick humour and a very special aria from a hot air ballon, makes for an entertaining evening. The colourful staging and modern English translation make the opera accessible for anyone, […]
The Unlikely Pilgrimage of Harold Fry is already a contender for my favourite musical of 2026. This folk musical, adapted by Rachel Joyce from her 2012 novel with songs by Passenger, arrives in the West End after selling out Chichester last summer, carrying with it hugely likeable characters and a willingness to find grace in […]
Already Perfect arrives at the King’s Head Theatre trailing clouds of Tony Award glory from its writer, but the show itself never quite earns the standing ovation its creator seems to expect. This autobiographical musical from Levi Kreis – who wrote the book, music and lyrics, and stars as himself, is a curiously flat affair, […]
Ballad Lines at Southwark Playhouse Elephant arrives with impressive vocal firepower and admirable ambition. The production falters, however, when its songs struggle to match the emotional weight its story demands. This folk musical from Finn Anderson and Tania Azevedo spans three centuries, connecting women through bloodlines and ballads. In present-day New York, Sarah receives a […]
Toussaint Douglass arrives at the Soho Theatre trailing acclaim from Edinburgh, where his debut hour earned a Best Newcomer nomination and sold-out audiences. The show that greets London, however, raises uncomfortable questions about where playful crowd work ends and aggressive confrontation begins.This is stand-up comedy that trades heavily on absurdist charm. Douglass, a Lewisham-born performer […]
Patrick Marber calls it a masterpiece, but Mel Brooks wrote a vaudeville act. When the curtain lifts at the Garrick Theatre on this gleeful revival of The Producers, you witness execution so precise it borders on ruthless: every gag, every gesture, every swastika-adorned pigeon lands exactly where intended. The problem is that Brooks’ musical comedy […]
This revival of J.B. Priestley’s When We Are Married at the Donmar Warehouse proves you don’t need a certificate to make a marriage work. Donmar artistic director Tim Sheader’s production finds real warmth and bite in a 1934 comedy that could easily have felt like a dusty period piece. Three Yorkshire couples gather to toast […]
If you’ve ever loved something so deeply it becomes part of your identity – a sports team or a band – then Gerry & Sewell will likely resonate with you. And if you haven’t? Honestly, don’t worry. You don’t need to be an avid football fan to enjoy this show. Playing a short 2-week run […]
Kenrex is a raw, unflinching piece of theatre which, in January, we’re already thinking is a contender for our top three plays of the year. Sadly it’s almost completely sold out, and tickets are like gold dust. This is the almost unbelievable story of Ken Rex McElroy, a notorious bigger-than-life bully in Skidmore, Missouri, whose […]
The mixed fortunes of musical theatre writers have rarely been thrown into sharper relief than in the case of Stephen Schwartz over the past couple of months. While the second instalment of the film version of his blockbuster Wicked opened worldwide to great fanfare (with the original stage production continuing its lengthy runs on both […]