The latest revival of The Producers at the Menier Chocolate Factory in London’s West End proves that some classic musicals never go out of style. This uproarious tale follows the misadventures of Max Bialystock, a washed-up Broadway producer, and his anxious accountant, Leo Bloom. Together, they hatch a ludicrous plan to create the worst musical ever—Springtime for Hitler—believing that a guaranteed flop will let them pocket the investors’ cash and escape to Rio. Spoiler alert: their plan backfires spectacularly when their disaster of a show becomes an unexpected hit, leading to chaos and hilarity.
Originally a film in 1967, The Producers didn’t exactly set the world on fire at first but has since become an iconic piece of cinematic and theatrical history. Mel Brooks, who co-wrote the book and lyrics, infused the story with sharp satire and dark humour, tackling themes like greed, ambition, and the absurdity of showbiz against the backdrop of post-war America. The musical version premiered on Broadway in 2001 and snagged a jaw-dropping 12 Tony Awards. It’s safe to say that this show is as relevant today as it was back then—especially when it comes to poking fun at sensitive topics.
Now, let’s dive into the plot. The story kicks off with Max Bialystock (played by Andy Nyman), who is desperately trying to stage a comeback after a string of flops. Enter Leo Bloom (Marc Antolin), the anxious accountant who proposes the outrageous scheme: they can raise more money by producing a guaranteed failure than by creating a hit. They set off on their wild quest by enlisting the worst scriptwriter (the exaggerated, eccentric Third Reich supporter Franz Liebkind) and hiring an eccentric director (the campest character in theatre history, Roger De Bris), all while charming elderly women into investing their life savings.
As the plot unfolds, you witness Max and Leo’s frantic attempts to sabotage their own show. But in true comedic fashion, their plans go hilariously awry when Springtime for Hitler becomes an unexpected success. Cue the chaos.
Nyman’s portrayal of Max Bialystock is flamboyant and endearing; he captures the character’s desperation and charm with finesse. His comedic timing is spot-on, especially during moments when he interacts with his investors or tries to convince Leo of their scheme’s viability. One standout moment occurs during ‘Betrayed,’ where Nyman showcases vulnerability and bravado as he reflects on his misadventures in show business. You can practically feel him channelling every failed producer who ever graced Broadway.
Antolin’s Leo Bloom provides the perfect counterbalance to Nyman’s exuberance. His portrayal developes timidity into growing confidence as he navigates their chaotic escapades. In ‘I Wanna Be a Producer,’ Antolin’s physicality transforms from hesitant to exuberant—you can almost see him shedding layers of insecurity alongside the audience’s laughter.
The chemistry between Nyman and Antolin is electric; they play off each other beautifully, creating moments that are hilarious and heartfelt. Their dynamic serves as the emotional core of the production, grounding its outrageous premise in genuine friendship—because what’s better than scheming with your best buddy?
Marber’s direction is sharp; he knows how to amplify Brooks’ satirical edge while ensuring each comedic beat lands perfectly. The pacing feels brisk yet deliberate, allowing for moments of reflection amidst all the laughter.
Stroman’s choreography does more than entertain; it enhances character development too. In ‘Along Came Bialy,’ you see Max’s manipulative charm come alive through dance as he woos his elderly investors—each step choreographed to mirror his intentions while poking fun at societal norms. It’s a masterclass in how to charm your way into someone’s wallet.
The technical aspects of The Producers are just as integral to its storytelling as the performances themselves. Set designer Robin Wagner creates an immersive environment that transitions flawlessly between scenes—from Bialystock’s shabby office to the glitzy world of Broadway.
The Producers explores themes of ambition, failure, and morality within show business—topics that resonate deeply in today’s cultural climate where success often overshadows ethical considerations. The absurdity of producing a musical about Hitler raises questions about artistic boundaries and societal sensitivities; Brooks cleverly navigates these waters by using humour as shield and sword.
This revival of The Producers at Menier Chocolate Factory isn’t just another iteration of a beloved classic; it’s a vibrant reimagining that invites you into its world with open arms while challenging them to think critically about its themes. With stellar performances from Nyman and Antolin, masterful direction from Marber, and innovative choreography from Stroman, this production stands out as entertaining and thought-provoking.