If you don’t love Rocky Horror, where have you been? And anyway, if you don’t love it, you’ll hate it. It’s the most marmite show on the face of the Earth.
This cultural phenomen continues to captivate viewers with its unique blend of camp, horror, and rock ‘n’ roll. The current UK tour brings the iconic production back to the spotlight.
Set against the backdrop of a classic gothic mansion, the story follows the innocent couple Brad Majors and Janet Weiss, who find themselves stranded when their car breaks down. Seeking help, they stumble upon the eerie abode of Dr. Frank-N-Furter, a flamboyant and eccentric alien scientist hosting a bizarre party. What unfolds is a night filled with unexpected twists, outrageous characters, and a celebration of sexual liberation. With memorable songs like ‘Time Warp’ and ‘Sweet Transvestite,’ the show is a wild ride that challenges norms and embraces individuality.
The performances in this production are stellar. Jason Donovan (Stephen Webb and Adam Strong on other dates) takes on the role of Frank-N-Furter, delivering a magnetic performance that balances charisma with a touch of menace. Donovan’s interpretation of the character pays homage to Tim Curry’s legendary portrayal while infusing it with his unique flair. His rendition of ‘I’m Going Home’ showcases his vocal range and emotional depth.
Connor Carson and Lauren Chia shine as Brad and Janet, respectively. Their chemistry embodies the characters’ innocence and eventual transformation with grace. Carson’s portrayal of Brad is charmingly naive, while Chia captures Janet’s evolution from a demure fiancée to a liberated woman with impressive vocal prowess, especially during ‘Touch-a, Touch-a, Touch-a, Touch Me.’
Job Greuter, who playing Riff Raff, brings a captivating presence to the stage. His portrayal is filled with nuanced expressions and movements that make him a standout in the ensemble. Natasha Hoeberigs as Magenta complements Greuter beautifully, and their dynamic adds an extra layer of intrigue to the story.
Mawaan Rizwan, playing the Narrator, is possibly a weaker narrator than the many others I have seen play this role. He speaks too quickly; the gravitas of Charles Gray, or Nicholas Parsons, is lacking. His repartee to the audience call-backs (and in case you don’t know it, part of the fun of Rocky Horror is the scripted shout-outs from members of the audience throughout the show) is a bit meh – not a patch on the wit and improvisational skills of previous incumbents in that role. It’s a little uncomfortable watching him.
The direction by Christopher Luscombe harnesses Richard O’Brien’s original vision while allowing room for contemporary interpretations. The choreography by Nathan M. Wright is lively and engaging, particularly during the iconic ‘Time Warp,’ which invites you to join in. The set design, while not overly elaborate, captures the campy essence of the show. But it’s the lighting that makes this show stand out. I saw it at The Dominion in London, which comes equipped with some of the best lighting in UK theatre. But even on tour (and I’ve seen the show in Southampton, Manchester, at The Peacock in London, and several other venues), the lighting of this show puts many rock concerts to shame. It actually brings tears to the eyes at certain points as you marvel at the technological wonder.
While the show is a celebration of individuality and self-expression, it also serves as a reminder of the importance of acceptance and love in all its forms. The themes of the show resonate just as strongly today as they did nearly five decades ago, making it a timeless piece that continues to inspire and entertain.
With just the one exception, the performances are exceptional, the direction is sharp, and the production elements enhance the overall experience. Whether you’re a seasoned fan or a newcomer to the world of Rocky Horror, this show promises to deliver an unforgettable evening. For those who appreciate campy humor, catchy tunes, and a celebration of diversity, this production is highly recommended. And on the night I saw this show (10 September 2024), the legend himself – Richard O’Brien – emerged from the wings during the curtain call. Richard O’Brien is the show’s creator and played Riff-Raff in the original film. The whole audience erupted as he emerged, and he led the auditorium singing a verse of ‘There’s a Light (Over at the Frankenstein Place)’. Truly magical. I’d timewarp back there any day of the week.