As Cher Horowitz might say, “Ugh, as if!” you’d miss this fabulously fun West End adaptation of Clueless. Based on Amy Heckerling’s 1995 cult classic film—a modern-day Jane Austen tale wrapped in plaid skirts and knee-high socks—this musical is a high-energy romp through Beverly Hills that’s equal parts camp and charm. It’s got drama, laughs, and enough nostalgia to make you want to dig out your old Walkman. But does it live up to the iconic movie? Well, like Cher’s matchmaking skills, it’s not perfect, but it’s pretty good.
Clueless follows Cher, a wealthy, fashion-obsessed teenager with a heart of gold (and a head occasionally lost in the clouds). She spends her days orchestrating makeovers, meddling in romances, and acing her high school social game. But as she tries to play Cupid for her friends and teachers, she slowly realises that maybe she doesn’t have all the answers. Cue self-discovery, romance, and some truly iconic outfits.
The musical sticks closely to the film’s plot while sprinkling in a huge number of original songs by KT Tunstall. Yes, they’ve ditched the jukebox score from its Off-Broadway run in favour of new tunes. There’s a mismatch, though; the lyrics are sharp and funny, whereas the music/score plods along a little – there are no memorable tunes at all.
Emma Flynn steps into Alicia Silverstone’s designer shoes as Cher and absolutely owns them (probably Prada). Flynn nails Cher’s bubbly optimism and razor-sharp wit while bringing just enough vulnerability to make her relatable. Her comedic timing is spot-on—whether she’s lamenting her driving test disaster or realising she might actually like her step-brother Josh (spoiler: she totally does). And her vocals? Like Cher herself—flawless.
Romona Lewis-Malley is equally delightful as Tai, the awkward new girl turned social butterfly. Her transformation feels authentic without losing the character’s endearing awkwardness. Meanwhile, Chyna-Rose Frederick as Dionne and Rabi Kondé as Murray steal every scene they’re in with their hilarious bickering and undeniable chemistry. Honestly, if there were a spin-off called Dionne & Murray: The Musical, we’d be first in line.
Rachel Kavanaugh directs with a clear understanding of what makes Clueless tick: humour, heart, and just a dash of absurdity. She keeps the pace brisk and balances the comedy with moments of genuine emotion. Kelly Devine’s choreography is equally snappy, blending slick dance numbers with playful nods to 90s culture (yes, there’s a mall scene).
The ensemble shines in group numbers like “New Girl,” where Tai’s chaotic introduction to Beverly Hills High is mirrored by synchronised chaos on stage. It’s clever storytelling through movement—a reminder that even high school drama can be artfully choreographed.
Visually speaking, this show is polished, although it feels a little too large for the small Trafalgar Theatre stage. Mikiko Suzuki MacAdams’ set design captures Beverly Hills opulence with pastel mansions and glossy shopping malls that feel straight out of a Lisa Frank dreamscape. Paloma Young’s costumes are pure 90s perfection—think plaid skirts paired with knee-high socks and oversized hats worthy of Dionne herself.
Lighting designer Ben Cracknell drenches the stage in vibrant hues that mirror Cher’s sunny disposition (and occasional moments of teenage angst). Meanwhile, Rob Battle’s sound design ensures every quip lands crystal clear—even if you’re sitting in the Trafalgar Theatre’s upper circle seats (which are surprisingly decent for budget-conscious fans).
Beneath its glittery surface, Clueless has something to say about privilege, self-awareness, and connection. Cher starts off using her wealth and influence for frivolous pursuits but eventually learns how to leverage them for good—a message that feels refreshingly relevant in our influencer-obsessed age.
It also explores identity and belonging through Tai’s journey from outsider to insider (and back again). Sure, it’s wrapped in designer packaging—but these themes resonate across generations.
If Mean Girls is Regina George throwing shade at North Shore High School and Legally Blonde is Elle Woods proving brains can rock pink sequins too, then Clueless is their cooler older sister who doesn’t need validation because she already knows she rules. It shares DNA with these high school musicals but stands out for its unabashed embrace of camp—and its refusal to take itself too seriously.
If you loved the 1990s film, you’ll adore this stage version—it feels like catching up with an old friend who hasn’t aged a day.