Hello, Dolly! is a delightful romp through the world of midlife romance and self-discovery, set against the backdrop of a bustling New York City in the early 20th century. The story follows Dolly Gallagher Levi, a spirited widow and professional matchmaker, as she embarks on a journey to find love—not just for her clients, but for herself as well. With a series of clever schemes, Dolly sets her sights on the wealthy but curmudgeonly Horace Vandergelder, while simultaneously orchestrating the romantic entanglements of a young couple, Cornelius and Irene. As the plot unfolds, we witness Dolly’s transformation from a woman who feels invisible to one who embraces her vibrant identity, all while navigating the comedic chaos of love and life.
Imelda Staunton leads the cast with a sensational performance. I’m not a huge fan of hers, normally (I think she plays the same character in everything she does). But in this, she shines. Her portrayal of Dolly is a masterclass in character development, blending humor with heartfelt moments. She embodies mischievous spirit and indomitable will, giving (controversial view here) a superior performance to the classic Barbra Streisand portrayal in the 1969 film. Unlike Streisand’s iconic turn, Staunton’s interpretation feels more relatable and age-appropriate, showcasing a woman who has lived and learned. Her physicality—petite and rosy-cheeked—contrasts beautifully with the larger-than-life persona of Dolly, making her journey all the more poignant.
Directed by Dominic Cooke, the production is a lavish affair that pays homage to the classic American musical and infuses it with fresh energy. The staging is complete with stunning choreography and a live orchestra that elevates the musical numbers. The opening scenes in Vandergelder’s hay and feed store feel a bit flat at first, but once the life-size steam train rolls onto the stage, the energy shifts dramatically. The choreography, particularly in the ensemble numbers, is a highlight, with dancers executing intricate routines that evoke the spirit of Broadway’s golden age.
The chemistry between Cornelius (played by Harry Hepple) and Irene (Jenna Russell) is charming and genuine, providing a delightful counterpoint to Dolly’s more complex relationship with Vandergelder (Andy Nyman). Hepple and Russell shine in their roles, particularly in the number ‘It Only Takes a Moment,’ where their budding romance blossoms amidst the chaos of Dolly’s schemes. Their performances are infused with warmth and sincerity, making their love story feel authentic and relatable.
Horace Vandergelder, portrayed with a mix of gruffness and vulnerability, serves as a foil to Dolly’s exuberance. His journey from a miserly bachelor to a man who learns to open his heart is skillfully crafted, even if the chemistry between him and Dolly isn’t as palpable as one might hope. The moments of tension between them serve to highlight Dolly’s determination to break through his defenses, culminating in a satisfying resolution that underscores the show’s central themes of love and self-acceptance.
One of the standout aspects of this production is its ability to blend humor with deeper emotional currents. The comedic elements are woven seamlessly into the narrative, with witty dialogue and clever sight gags that keep the audience engaged. The use of moving stage elements, while at times distracting, adds a dynamic quality to the performance, allowing for smooth transitions between scenes and enhancing the overall visual experience.
The ensemble cast deserves special mention for their contributions to the show’s success. The milliners provide comic relief and a sense of camaraderie, embodying the spirit of women supporting one another in their quest for happiness. Their interactions with Dolly are filled with playful banter, showcasing the importance of friendship in the face of life’s challenges. Additionally, the dynamic between Vandergelder’s clerks, brings a delightful energy to the stage, particularly in their comedic dance number that serves as a turning point in their character arcs.
The production design is impressive, with vibrant costumes that reflect the era’s fashion while allowing the characters’ personalities to shine through. The use of color and texture in the costumes enhances the storytelling, with Dolly’s outfits becoming increasingly bold and extravagant as she embraces her identity. The set design, featuring a mix of realistic and stylized elements, transports the audience to a bygone era, immersing them in the world of the characters.
The themes of self-discovery and empowerment become increasingly prominent as the show progresses. Dolly’s journey is not just about finding love; it’s about reclaiming her identity and asserting her place in a world that often sidelines older women. This message resonates deeply, particularly in today’s context, where the visibility of women in their later years is still a topic of discussion. Staunton’s performance encapsulates this struggle beautifully, as she navigates the complexities of her character with grace and humor.
The musical numbers are, of course, the heart of Hello, Dolly! From the exuberant ‘Put On Your Sunday Clothes’ to the show-stopping title number, the songs are expertly woven into the narrative, enhancing the emotional beats and providing moments of levity. Staunton’s rendition of ‘Before the Parade Passes By’ is particularly moving, capturing Dolly’s longing for connection and her desire to seize the moment before it’s too late. The choreography in these numbers is lively and engaging, with the ensemble’s high-energy performances adding to the overall joy of the production.
Hello, Dolly! at the London Palladium is a triumph of musical theatre, showcasing the talents of a remarkable cast led by the incomparable Imelda Staunton. The production successfully balances humor with poignant moments of self-reflection, creating a narrative that resonates with audiences of all ages. With its stunning visuals, captivating performances, and a timeless message about love and self-acceptance, this revival is a must-see for anyone seeking a delightful escape into the world of musical magic. Grab your hat and prepare for a whirlwind of laughter, love, and a little bit of chaos—because Dolly is back, and she’s here to remind us all that life is too short to stay in the shadows.
Why does this show not get its fifth star? Because as wonderful as it is, the story is a little dated and many of the songs are a little forgettable. Of course, the song everyone waits for (in the second half), ‘Hello Dolly!’, is perfect. Absolutely perfect. But not quite enough to tip the fifth star.
