Hadestown has the finest score in the West End right now, and almost everything else you could reasonably ask for except a reason to care. That this folk-opera cult phenomenon can be so bewitching to listen to and so inert to experience is, depending on your tolerance for theatrical enigma, either the point or the […]
Hampstead Downstairs has been quietly cornering the market in thrilling studio theatre, and with Aaron Loeb’s R.O.I. (Return on Investment) it may have found its most audacious investment yet. This is a play tightly wound, relentlessly intelligent, and unlike anything else on a London stage. Loeb, making his UK debut after acclaimed Off-Broadway work including […]
Anna Ziegler’s world premiere two-hander arrives at the Donmar trailing the kind of critical warmth that tends to get spritzed about liberally on opening nights, and it would be churlish to pretend there isn’t something here. It would also be wrong to pretend there’s quite enough. The play is a drama, part domestic portrait, part […]
Rupert Goold’s revival of American Psycho at the Almeida Theatre in Islington is a sleek, menacing, often magnificent production that builds nearly three hours of sustained dread, then collapses in the final stretch. It is very nearly a five-star evening, and the gap between what it achieves and what it squanders is genuinely painful. The […]
Andrew Lloyd Webber’s roller-skating insanity is back, and it is, against all reasonable odds, completely magnificent. That it happens to be playing in a repurposed warehouse a brisk wind’s throw from Wembley Stadium is either the show’s one genuine flaw or its most characterful joke. Luke Sheppard’s immersive production of the 1984 musical drops you […]
For its first hour, Miriam Battye’s new coming-of-age play is one of the funniest things you will see in London this year, raw, fizzing, and unnervingly accurate about what it feels like to be sixteen and convinced that everyone else has already figured it out. Then something shifts, the laughs dry up, and the play […]
There is no show in the West End that tries harder to make you forget you are watching a show, and for long stretches it succeeds magnificently. Arrive early, drink it in, and enjoy the spectacle while it lasts, because once the plot gets going, so does your patience. Moulin Rouge! is Alex Timbers’s stage […]
There is a moment in Oh, Mary! when Mason Alexander Park, crinoline swaying like a circus tent in a gale, simply cannot work out how to climb down from a desk. The audience falls apart. Whether that image strikes you as the most joyfully absurd thing you’ve seen all year, or as an elaborate exercise […]
The current production of Mozart’s Così fan tutte at the English National Opera is not one to miss. A combination of a bright fairground spectacle, quick humour and a very special aria from a hot air ballon, makes for an entertaining evening. The colourful staging and modern English translation make the opera accessible for anyone, […]
The Unlikely Pilgrimage of Harold Fry is already a contender for my favourite musical of 2026. This folk musical, adapted by Rachel Joyce from her 2012 novel with songs by Passenger, arrives in the West End after selling out Chichester last summer, carrying with it hugely likeable characters and a willingness to find grace in […]